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The thing with a “main character”, is that the reader see the story/world from that characters point of view - we can often read the characters thoughts and feelings more than other characters in the story. You can also use the perspective to increase this “effect”.
You can use the eye-level to display the world seen from the main character. Look at the two pictures above, the characters have the same size on both pictures - the only difference I’ve made is to switch eye-level. And by just doing this, we switch between the adult and the kids point of view - even though they both look at the same thing.
So, when you are doing a perspective, FIRST decide the eye-level and after that start placing out all those annoying guidelines.
5,480 notes (via walidhani & foervraengd)
More tips:
- The closest I could find on Amazon to the watercolour set I use is the Sakura brand of Koi Assorted WaterColours Field Set.
- Just use any old toothbrush. I used to use the ones that my dentist would give me after a visit, just because those were kind of cheap and I wouldn’t actually use them anyways.
- I use acrylic for flicking and highlights because watercolour-whites tend to fade when they dry.
- Also, remember to keep your hands clean, because nothing’s worse than smudging graphite into your watercolours and then unable to get it out.
- Try to avoid black and white when possible. They tend to dull the colours and it loses that watercolouring lustre.
Since I started watercolouring again for my daily sketches, I’ve gotten a lot of asks/dA notes on if I could give a tutorial on watercolouring and also more specific questions that overlapped each other, so I decided to do a semi guide/tips/answering thing.
I actually started watercolouring before I went into digital medium, so I have a bit of personal experience, but I am essentially self-taught when it comes to watercolouring since there weren’t a lot of watercolour tutorials online back then to begin with, so I cannot promise that these are the absolute correct way of doing things.
Hope it helps anyways :)
19,078 notes (via radikeen & qinni)
hello yes i do get this question often but my method has changed since last time i posted anything about it, by which i mean i don’t really have a method beyond “draw a shape for the body of the hand and then add stuff”
sometimes it is a circle and sometimes it is a square, it is not very enthralling
i drew the reference above a few months ago, it’s a few things i try to keep in mind, maybe it will help someone
also i just now drew this in like 30 seconds, my drawings are messy & i knew i was gonna be posting this so i had drawing-related performance anxiety while it was happening, but maybe it also will help someone
wait can i take a second to mention gesture and body language? you can have the most immaculately drawn hands in the world and they can still look dead and useless unless you really think about what your figure is doing/trying to convey
check out this thing i drew like a long dang time ago: the hands, they are not well drawn. they are sort of claw-like doodle hand wannabes, it’s nasty. but shit who cares, they are adding to the story, not just hanging there like weird turnips taped to wrists. i just want to say that gesture is sort of more important than cool stylish style ok good night
2,176 notes (via notmusa)
https://www.facebook.com/Anatomy4Sculptors/photos_albums
Such a fantastic resource!!
24,865 notes (via catrypereira & eyecager)
Tips on color & light from The Artist’s Guide to Color by Wendon Blake
8,552 notes (via helpyoudraw & wannabeanimator)
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